Event Detail

Robbie Fulks w/ Cameron McGill

All Ages
at SPACE
1245 Chicago Avenue, Evanston, IL 60202
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Singer/songwriter Robbie Fulks was one of the more heralded talents in the alternative country movement, displaying an offbeat, sometimes dark sense of humor in many of his best moments. As time passed, Fulks moved away from the country twang of his early work and into a crunchier roots rock hybrid. Fulks divided his childhood between Pennsylvania, Virginia, and North Carolina, and received his schooling at Columbia University. He moved to Chicago in 1983, and first served as vocalist and guitarist in bluegrass band the Special Consensus, appearing on their Grammy-nominated 1989 album A Hole in My Heart. He later performed in the musical revue Woody Guthrie's American Song, and formed his own rock band, the Trailer Trash Revue, with whom he cut a locally popular single, "Little King" b/w "Jean Arthur." Fulks got his first significant exposure via Bloodshot Records' 1994 compilation Insurgent Country, Vol. 1: For a Life of Sin, which included his track "Cigarette State"; the 1995 follow-up, Insurgent Country, Vol. 2: Hell Bent, featured Fulks' "She Took a Lot of Pills (And Died)." Both cuts were produced by Steve Albini, who also helmed Fulks' Bloodshot debut, Country Love Songs, in 1996. The album received highly positive reviews, and featured backing from roots rockers the Skeletons, as well as former Buck Owens steel guitarist Tom Brumley. The follow-up, South Mouth, took a similarly retro-minded approach, drawing from classic honky tonk and Bakersfield country. With a growing cult reputation, Fulks earned a major-label shot with Geffen, but many critics felt that his 1998 label debut, Let's Kill Saturday Night, undermined the organic strengths of his previous work with overly slick roots rock production. Fulks returned to Bloodshot for the bleak follow-up, 2001's Couples in Trouble, a more creatively successful foray into roots rock. He followed it up later that year with 13 Hillbilly Giants, a covers collection that spotlighted lesser-known songs from country's earlier days. Chicago songwriter Cameron McGill's fifth and most recent release, 2011's Is A Beast, found him as far away from a harmonica as possible. For this show, he will be solo, and might use one. He is currently at work on his first collection of poetry as well as a new solo album due out late 2012.
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