The Boston-area folk music scene is a vibrant one, boasting a variety of diverse artists. But if pressed to name the region's defining musician, it would have to be singer-songwriter Catie Curtis, who has called it home for nearly all of her twenty-year music career. Since the release of her last album in 2009, Curtis has toured extensively, playing a number of diverse venues ranging from Chicago's legendary Old Town School of Folk Music to the White House. She's also spent that time writing and testing out new material, developing a collection of masterfully written lyrics that serve as the heart of her newest record, Stretch Limousine on Fire (out August 30). On the new album, Curtis, a Lilith Fair alum who's been dubbed a "folk-rock goddess" by The New Yorker, delivers some of the finest material of her career: ten original songs that push at her own musical boundaries and explore "the difficult edges of passing events" in life, harsh realities that are tempered with moments of fleeting beauty. This temporary nature of life is a theme that pervades the album from the first notes. Opening song "Let It Last, which features folk powerhouse and former tour mate Mary Chapin Carpenter singing harmony, finds Curtis pleading "I know it can't last/And all I ask is let it last a little longer."