By 1971 he had founded his second band, Kinky Friedman & the Texas Jewboys. In keeping with the group's satirical songs, each member had a deliberately politically incorrect name: they called themselves Little Jewford, Big Nig, Panama Red, Rainbow Colors, and Snakebite Jacobs. Friedman got his break in 1973 thanks to Commander Cody, who contacted Vanguard Music on behalf of the acerbic young performer. That was the year he and his group made their debut album, Sold American, featuring John Hartford and Tompall Glaser. The title track, a bitter tale of a forgotten country singer dying an alcoholic death, barely made it onto the charts, but Friedman did attract enough attention to be invited to the Grand Ole Opry. In 1974, he recorded an eponymously titled album for ABC Records. Produced by Los Angeles pop helmsman Steve Barri, the album dissolved whatever pure country listenership Friedman might have had but delighted his growing hard core of fans with satirical pieces such as his response to anti-Semitism, "They Ain't Making Jews like Jesus Anymore." Along with the satires Friedman offered quieter sketches of American hard luck such as "Rapid City, South Dakota." In the mid-'70s, Friedman and his band began touring with Bob Dylan & the Rolling Thunder Revue. In 1976 he made his third album, Lasso From El Paso, featuring Dylan and Eric Clapton. The Texas Jewboys disbanded three years later, and Friedman moved to New York, where he often appeared at the Lone Star Cafe. In 1983, he released Under the Double Ego for Sunrise Records.